The 2,179-seat Grosses Festpielhaus, launched in 1960 to Karajan’s specifications, has a huge stage shaped with the aspect ratio of a movie screen a 98-by-30 foot (30-by-9 meter) proscenium on a 328-foot-wide (100 meter) stage. The Felsenreitschule, the former riding school, holds an audience of 1,437 and is known as a location for the 1965 film “The Sound of Music.” The Haus für Mozart, the former Kleines Festpielhaus, reopened in 2006 with 1,580 capacity. Venues are spread across both sides of the Salzach River in a city of about 150,000 crammed with restaurants, hotels and luxury boutiques, with the three largest halls carved into the Mönchsberg mountain. Ticket prices for the most high-profile events run from 5-465 euros ($5.50-$513). Productions open after six-to-seven weeks of rehearsal, one-to-three more than the repertory house norm. ran the festival for a year in 2011 before Alexander Pereira began, then took over in 2016 and has a contract running until September 2026. Gerard Mortier overhauled programming from 1991-2001 and was followed by Peter Ruzicka and Jürgen Flimm. Herbert von Karajan dominated as artistic director from 1956-88. “What I can do is to give the audience the kind of navigation system without being didactic.”ĭirector Max Reinhardt, composer Richard Strauss and dramatist Hugo von Hofmannsthal founded the festival to promote peace following World War I, an idea they are said to have formed at Reinhardt’s nearby Schloss Leopoldskron. “There are these hidden threads,” artistic director Markus Hinterhäuser said, drawing parallels between “Macbeth” and the Ukraine war, “Greek Passion” and the migrant crisis and “Figaro” with class struggle. This image provided by Salzburg Festival shows Markus Hinterhauser, artistic director of the Salzburg Festval. Artists in a program of unmatched depth include pianists Igor Levit, Pierre-Laurent Aimard, Evgeny Kissin and Daniil Trifonov, and the Vienna and Berlin Philharmonics headline concerts along with the Boston Symphony Orchestra. Highlights included new stagings of Mozart’s “Le Nozze di Figaro,”Verdi’s ‘Macbeth” and “Falstaff” and Bohuslav Martinu’s rarely seen “The Greek Passion” along with Gluck’s “Orfeo ed Euridice,” held over from this year’s Whitsun Festival. 31 at 15 venues plus 34 youth performances. There are 179 performances over 43 days through Aug. “That made us not only a spotlight in Europe for culture, but we didn’t lose our customers.” “We played through the pandemic,” said Kristina Hammer, who took over as the festival’s president in 2022. While many classical music institutions struggle to regain audience, the Salzburg Festival is on track to draw people from over 75 nations to opera, concerts and drama. SALZBURG, Austria (AP) - People fill the cobblestone streets of the city where Mozart was born, rushing to 213 performances over six weeks. Free Press 101: How we practise journalism.
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